* Not an advertisement
Keywords
Pop Art, 20th Century Art, Visual Art of the United States, Installation, Media Art
Categories
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Yartseva, O.A. (2018) ‘Robert Raushenberg: from “combine painting” to installation: УДК 7.038.55’, The Art of Eurasia, (2), pp. 212–220. doi:10.25712/ASTU.2518-7767.2018.02.016.
Индексация статей
Abstract
Throughout his career, Rauschenberg was engaged in painting, sculpture, scenography, he was a type of artist, not 20th, but the 21st century. He was interested in new technologies, the rapidly changing world around: politically, socially, mentally. In the period when his style was formed Rauschenberg searched of an answer to the question about the nature of art, he was close to the experimental approach inspired by the experiences of European art of the beginning of the last century. Rauschenberg used it to create a large project, which was called "combined painting" or "combines" (1953 – 1964). It opened the way for an American artist to world fame and recognition.
References
- Interview with French critic Andre Parino for the exhibition catalogue "Paris-new York-Paris". National centre for art and culture Georges Pompidou, 1977. Available at: http://mediation.centrepompidou.fr/education/ressources/ENS-Rauschenberg/ENS-rauschenberg.htm (accessed 20.03.2018). (In French)
- Krauss R. Rauschenberg and the Materialized Image. October Files. Iss. 4, Robert Rauschenberg. London: The MIT Press, Cambridge, Massachusetts, 2002. Pp. 39-57.
- Kluver B., Martin J. The Story of E.A.T.: Experiments in Art and Technology, 1960-2001. Tokyo, 2003. Available at: http://jiminy.medialab.sciences-po.fr/eat_datascape/project/3DOI (accessed 20.03.2018).
