Forum

354 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Natalia Ivanovna Kovaleva
Image of a city in commemorative kerchief of the 19th – 21st centuries
51-69
https://doi.org/10.25712/ASTU.2518-7767.2020.02.003
Anna Konstantinovna Florkovskaya
Between heaven and earth: the city in the paintings of Moscow artists of the 20th – 21st centuries
202-219
https://doi.org/10.25712/ASTU.2518-7767.2020.02.013
Olga Nikolaevna Filippova
Petersburg in the creative work of Anna Ostroumova-Lebedeva
70-81
https://doi.org/10.25712/ASTU.2518-7767.2020.02.004
Maria Andreevna Belikova
The image of Berlin in the works of “New objectivity” artists of the 1920-s
212–226
https://doi.org/10.25712/ASTU.2518-7767.2020.01.016
Nadezhda Mikhailovna Sim
Baeza and Ubeda – the first cities of Spanish Renaissance
118–133
https://doi.org/10.25712/ASTU.2518-7767.2020.01.009
Olga Nikolaevna Filippova
The theme of the city in the creative work of Vasily Kandinsky
227–238
https://doi.org/10.25712/ASTU.2518-7767.2020.01.017
Aleksander Florentinovich Esono
Topographic views in German broadsheets of the 17th century: “Portrait of the city” and the verisimilitude of Baroque
134–145
https://doi.org/10.25712/ASTU.2518-7767.2020.01.010
Olga Evgenievna Etinhof
The image of a city in the mosaics of the Basilica of the Nativity in Bethlehem
50–65
https://doi.org/10.25712/ASTU.2518-7767.2020.01.004
Natalia Mikhailovna Goncharenko
City in Italian art of the first half of the 20th century: not only futurism
239–261
https://doi.org/10.25712/ASTU.2518-7767.2020.01.018
Marian Turek
Images of a city and its people in the work of the artist Daniel Chodowiecki (1726–1801)
162–173
https://doi.org/10.25712/ASTU.2518-7767.2020.01.012
Svetlana Izrailevna Kozlova
The Quattrocento city: between reality and ideality
66–76
https://doi.org/10.25712/ASTU.2518-7767.2020.01.005
Marina Aleksandrovna Neglinskaya
“Chinese Style” in architecture and planning of London (1811–1820)
174–184
https://doi.org/10.25712/ASTU.2518-7767.2020.01.013
Ekaterina Ivanovna Tarakanova
The Image of the city in Italian chapels of the 15th century (a study of Benozzo Gozzoli’s fresco cycles)
77–91
https://doi.org/10.25712/ASTU.2518-7767.2020.01.006
Tatyana Kirillovna Mikhalkova
Helsinki parks and squares as the city dominant
185–195
https://doi.org/10.25712/ASTU.2518-7767.2020.01.014
Marina Georgievna Piven
Images of Troy and Carthage in Quatrocento Italian book miniatures and decorative painting
92–104
https://doi.org/10.25712/ASTU.2518-7767.2020.01.007
Anastasia Yuryevna Koroleva
On the crossroad of avant-garde: Ernst Ludwig Kirchner and his painting “Potsdamer Platz”
196–211
https://doi.org/10.25712/ASTU.2518-7767.2020.01.015
Oxana Sergeevna Smagol
The scenery of Ercole I d’Este Ferrara in a woodcut from Modena Estense Library and a problem of Renaissance in Lombardy and Venice
105–117
https://doi.org/10.25712/ASTU.2518-7767.2020.01.008
Olga Ivanovna Zotova
Step from the East
165-176
https://doi.org/10.25712/ASTU.2518-7767.2019.04.011
Svetlana Batyurovna Bardaleeva
Tsybikov as a creator of the first Buryat school of Buddhist sculpture
50-65
https://doi.org/10.25712/ASTU.2518-7767.2019.04.005
Andrey Vladimirovich Ivanov
Invisible spaces of Buddhist plastic
177-192
https://doi.org/10.25712/ASTU.2518-7767.2019.04.012
Kermen Petrovna Batyreva
Kalmyk costume in the prism of the imaging and sign system of Buddhism
66-79
https://doi.org/10.25712/ASTU.2518-7767.2019.04.006
Dmitry Vladimirovich Ivanov
Pandito Khambo-lama’s gifts in The Kunstkamera
193-203
https://doi.org/10.25712/ASTU.2518-7767.2019.04.013
Galina Mikhailovna Batyuk
«The wheel of teaching (the chakra)» from the collection of the State Hermitage museum
80-85
https://doi.org/10.25712/ASTU.2518-7767.2019.04.007
Delgr Vladimirovna Sangadzhieva
Buddhist sculpture in the works of Vladimir Vaskin
204-218
https://doi.org/10.25712/ASTU.2518-7767.2019.04.014
Pankaj Gupta
Ethics in Aesthetics: Eco-Spiritual and Elemental Symbolism in Thangka Paintings
86-140
https://doi.org/10.25712/ASTU.2518-7767.2019.04.008