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Abstract
The article analyzes the creative program of G.S. Mosin, associated with his work on illustrations for the “Malachite Box” by P.P. Bazhov. The compositional and color solutions of illustrations are considered in detail; a synthesis of different approaches and principles is pointed out. The artist's desire to melt contradictory images and compositions into a single style, which should lead to the emergence of a multifaceted and metaphorical image of the Urals.
References
- Alekseev E.P. Kartina G. Mosina i M. Brusilovskogo “1918 god”: analiz khudozhestvennoy sistemy [Painting by G. Mosin and M. Brusilovsky "1918": an analysis of the artistic system]. Izvestiya Ural'skogo federal'nogo universiteta. Seriya 2. Gumanitarnyye nauki — News of the Ural Federal University. Series 2. Humanities, 2013, No. 1 (111), pp. 55–69. (In Russian).
- Gerchuk Yu.Ya. Khudozhestvennyye miry knigi [Artistic worlds of the book]. Moscow, Kniga Publ., 1989. 238 p. (In Russian).
- Yarkov S.P. Mosin. Bazhov Encyclopedia. Ekaterinburg, Socrates Publ., 2007, p. 255. (In Russian).
















