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Keywords
contemporary Mongolian art, Danzanbaljir Enkhtaivan, Mongolian painting, training of Mongolian artists in Russia
Categories
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Shishin, M.Y. (2021) ‘Creativity of the Mongolian artist D. Enkhtaivan: stages of formation, key elements of the creative method: УДК 7.036:75(517.3)’, The Art of Eurasia, (3), pp. 138–151. doi:10.46748/ARTEURAS.2021.03.012.
Индексация статей
Abstract
The article examines the creative path of the modern Mongolian artist Danzanbaljir Enkhtaivan, who was able to achieve a productive synthesis of the best features of the Mongolian and Russian schools of art. It is shown that Enkhtaivan was able to perceive humanism from the Russian school, interest in the inner world of the individual, the desire for professionalism and the achievement of high artistic expression. Mongolia, on the other hand, gave him an infinite number of topics and ideas. In the evolution of his creative method, it is noticeable that from a flat interpretation, from large spots in the color of his works, he gradually passes to a free brushstroke, to a high plastic expressiveness of form; but at the same time, the influence of the Mongolian school with its decorative effect and color saturation is clearly seen in the increased color intensity. The artist's works are presented in leading state museums and private galleries in Mongolia, Germany, Poland and other countries.
Acknowledgments
The study was financially supported by the Russian Foundation for Basic Research and the Government of the Altai Territory according to the scientific project 19-412-220003 r_a “Explication of the artistic cultural potential of the Altai Territory and determination of the mechanisms of its use in regional and international tourist projects”.
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