The evolution of satirical graphics of Sergei Eisenshtein: УДК7.072:76.03/.09+76.021
№ 1 (12) 2019 "Искусство Евразии", научный журнал об искусстве.
PDF (Russian)
PDF (Russian)

Keywords

graphic art, Eisenshtein, caricature, montage, motion, colour, modernism

Categories

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

How to Cite

Borzova, E.V. (2019) ‘The evolution of satirical graphics of Sergei Eisenshtein: УДК7.072:76.03/.09+76.021’, The Art of Eurasia, (1), pp. 52–62. doi:10.25712/ASTU.2518-7767.2019.01.004.

Индексация статей

Белый списокScience IndexDimensionsDOAJOpenAlexScilitКиберЛенинкаEBSCOCrossrefDataCiteInternet Archive ScholarGoogle Scholar
Open Access
Антиплагиат

* Not an advertisement

Abstract

The article deals with the figurative and stylistic features of satirical drawings of Eisenshtein in the period from 1910 to 1948 years. His heritage parallels with modern western art. The sources of the artist’s work are underlined. Special attention is paid to changing the object in caricatures: from the actions of individuals to the work of the state system in general.

DOI: https://doi.org/10.25712/ASTU.2518-7767.2019.01.004

References

  1. Russian State Archive of Literature and Art. F. 1923, inv. 1, case 1544, l. 8.
  2. Bulgakova O. Sud'ba bronenostsa. Biografiya Sergeya Eizenshteina [The fate of the battleship. Biography of Sergei Eisenstein]. St. Petersburg, European University Press, 2017. 394 p.
  3. Eisenstein S. Memuary (tekst) [Memoirs (text). Drafting, Preface, Comments by N.I. Kleiman]. Moscow, Trud Publ., Museum of Cinema, 1997. 432 p.
  4. Eisenstein S. M. Metod (v 2 t.) [Method (in 2 volumes)]. Moscow, Museum of Cinema, 2002. 496 p.
  5. Eisenstein S. Montazh: Montazh attraktsionov; Za kadrom; Chetvertoe izmerenie v kino; Montazh 1938; Vertikal'nyi montazh; Vkladysh [Montage: Montage of amusement rides; Behind the scenes; The fourth dimension in the movie; Montage 1938; Vertical Montage; Insert]. Moscow, All-Russian State Institute of Cinematography 1998. 193 p.