Forum

354 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Lidiya Andreevna Chernik
The image of Auguste Rodin in the painting and graphics of his contemporaries
179-189
https://doi.org/10.25712/ASTU.2518-7767.2018.03.016
Anna Eduardovna Kovaleva-Miloradovich
The ties. The Paradigms of Paradise. Auguste Rodin and Anselm Kiefer
116-129
https://doi.org/10.25712/ASTU.2518-7767.2018.03.010
Olga Evgenievna Etinhof
Ancient sources of the image of the Thinker
190-204
https://doi.org/10.25712/ASTU.2518-7767.2018.03.017
Evgenija Valerievna Orlova
The creative heir Rodin or Erzya natural nugget?
130-141
https://doi.org/10.25712/ASTU.2518-7767.2018.03.011
Olga Alexandrovna Yartseva
Auguste Rodin and his drawings of Khmer ballet artists
205-210
https://doi.org/10.25712/ASTU.2518-7767.2018.03.018
Tatyana Kirilovna Mikhalkova
Finnish students of Rodin – Sigrid af Forselles and Hilda Flodin
142-150
https://doi.org/10.25712/ASTU.2518-7767.2018.03.012
Elena Dmitrievna Fedotova
Auguste Rodin is a great master of the epoch. Introduction
87-88
Julia Vladimirovna Petrova
Eugene Carriere and Auguste Rodin: the problem of artistic influence
151-160
https://doi.org/10.25712/ASTU.2518-7767.2018.03.013
Andrey Vladimirovich Ivanov
Thought in the work of Rodin
89-97
https://doi.org/10.25712/ASTU.2518-7767.2018.03.007
Boris Mikhailovich Sokolov
From the Gates of Hell to the Novy Kuchuk-Koy: Rodin’s traditions in the park ensemble by A. T. Matveev
161-171
https://doi.org/10.25712/ASTU.2518-7767.2018.03.014
Elena Vladimirovna Igumnova
Anthony Gormley and Rodin's experience
98-103
https://doi.org/10.25712/ASTU.2518-7767.2018.03.008
Elena Dmitrievna Fedotova
Rodin and the problem of "abiding by literature"
172-178
https://doi.org/10.25712/ASTU.2518-7767.2018.03.015
Svetlana Israelevna Kozlova
Gates of Hell: Rodin, Dante, Ghiberti and the literary nature of the plan
104-115
https://doi.org/10.25712/ASTU.2518-7767.2018.03.009
Pavel Vladimirovich Voinitski, Elena Mikhailovna Zlatkovic
Art installation from glass and steel with elements of museum collection for exposition of State literary museum of Yanka Kupala
98-104
https://doi.org/10.25712/ASTU.2518-7767.2018.02.008
Marina Alexandrovna Neglinskaya
Installation in Chinese art: the origins of tradition
164-169
https://doi.org/10.25712/ASTU.2518-7767.2018.02.017
Elena Mikhailovna Zlatkovic
Glass installation as a form of thinking in Belarusian art of the end of 20th – the beginning of the 21st centuries
105-112
https://doi.org/10.25712/ASTU.2518-7767.2018.02.009
Irina Yuryevna Perfilyeva
Installation core in art jewelry the second half of XX – beginning of XXI centuries
170-179
https://doi.org/10.25712/ASTU.2518-7767.2018.02.013
Elena Vladimirovna Igumnova
Young British Artists and installation experience
113-123
https://doi.org/10.25712/ASTU.2518-7767.2018.02.010
Tatyana Khamzyanovna Starodub
Holiday parades in Ottoman miniature of the XVI–XVIII centuries
180-192
https://doi.org/10.25712/ASTU.2518-7767.2018.02.014
Lyudmila Vasilyevna Kazakova
Landscape glass as a form of dialogue with space
124-134
https://doi.org/10.25712/ASTU.2518-7767.2018.02.019
Elena Dmitrievna Fedotova
On installation as a phenomenon of contemporary art
75-77
Elena Dmitrievna Fedotova
The "Altar of Good Fortune" by I. Goethe: autonomous form in a park space
193-198
https://doi.org/10.25712/ASTU.2518-7767.2018.02.015
Svetlana Israelevna Kozlova
Installation before installation. Two examples of renaissance spectacular culture
134-144
https://doi.org/10.25712/ASTU.2518-7767.2018.02.020
Vladimir Ruvimovich Aronov
Art installation as an object of creativity in design
78-87
https://doi.org/10.25712/ASTU.2518-7767.2018.02.006
Olga Evgenievna Etinhof
Relief decoration of the church facades of the Byzantine world
199-211
https://doi.org/10.25712/ASTU.2518-7767.2018.02.018