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Abstract
The article analyzes the experience of introducing interactive technologies in the practice of scientific and educational work of an art museum. The article considers the prerequisites for using such practices, pros and cons, relevance and prospects for their development in the Primorye State Art Gallery in 2014–2020. On the basis of a number of exhibition projects held in the gallery, the effectiveness of such forms of interaction with the audience is shown as the following: thematic video presentation, expansion of information carriers using QR codes, virtual reality cinema, elements of augmented reality, or AR, quests within the edutainment direction. The article also briefly presents the communication of employees of the Primorye State Art Gallery with the audience in social networks.
References
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- Archive of the Primorye State Art Gallery. The Protocol No. 9 of the Primorye Art Gallery's fund-purchasing commission dated 10.22.1987. (In Russian).
- Archive of the Primorye State Art Gallery. The act of transferring the exhibits from 10.28.1966. (In Russian).
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